Tuesday, June 28, 2011

BRAVE teaser released on heels of poor CARS 2 reviews

Timing is everything for Pixar, and this teaser release, coupled with Tom Hanks hinting at a Toy Story 4 already in the works will ensure no faith in lost in Pixar.

Friday, June 24, 2011

Warrior

Joel Edgerton (King Arthur, Animal Kingdom) and Tom Hardy (Inception, Bronson) pack on the pounds in the upcoming action/drama WARRIOR. This actually looks extremely good, and I have to say I'm looking forward to it; something of a mixture between Brothers and Cinderella Man (Basically, family crossed with a redemption theme).

Tom Hardy, the shape shifting forger in Christopher Nolan's Inception, packed on nearly 40 pounds of muscle, which is probably being sustained or added to since his current role is the medically enhanced muscleman Bane in Nolan's The Dark Knight Rises. And Joel Edgerton has been fine toning his Australian career with this past years Oscar contender Animal Kingdom. Now I say this knowing he played freaking Gawain in King Arthur, a strong supporting character in a somewhat "Eh" movie, but still to go from that to step brother to Anakin Skywalker in the new Star Wars series. Anyone else catch that? Totally missed it myself. Still it's Star Wars, and he got to leave his mark.

Anywho, check out the trailer...it's gonna be awesome. And the synopsis is at the bottom. Enjoy.




Two brothers face the fight of a lifetime – and the wreckage of their broken family – within the brutal, high-stakes world of Mixed Martial Arts (MMA) fighting in Lionsgate's action/drama, Warrior.

An ex-Marine haunted by a tragic past, Tommy Riordan returns to his hometown of Pittsburgh and enlists his father, a recovered alcoholic and his former coach, to train him for an MMA tournament awarding the biggest purse in the history of the sport. As Tommy blazes a violent path towards the title prize, his brother, Brendan, a former MMA fighter unable to make ends meet as a public school teacher, returns to the amateur ring to provide for his family. Even though years have passed, recriminations and past betrayals keep Brendan bitterly estranged from both Tommy and his father.

But when Brendan's unlikely rise as an underdog sets him on a collision course with Tommy, the two brothers must finally confront the forces that tore them apart, all the while waging the most intense, winner-takes-all battle of their lives.

New 3 Minute, Spoiler trailer for Rise of the Planet of the Apes

This will definitely push you off the fence if you we're still questioning this movie. Not gonna lie, the latest trailer makes me want to go see this....

Thursday, June 23, 2011

Lytro: The camera that could change photography forever



Have you ever taken a picture that would have been great if only it were in focus? Of course you have. So have we, countless times. But those days may soon be past all of us with the introduction of Lytro, an entirely new kind of camera that allows users to completely change the focus of a picture after the shutter clicks. And, according to AllThingsD, this next-generation camera will be available before the end of the year.

The secret behind the Lytro camera is a new type of sensor that gathers much more information about the light coming into the camera than the sensors found on all other types of digital cameras. Rather than record a finite amount of information about the light in a photograph, as is the case with other camera sensors, the Lytro sensor records the entire “light field,” which is made up of “all the light rays in a scene,” according to the Lytro website. This includes the color, intensity and direction of the rays of light. Other cameras simply record all the light as a single amount of light.

With this vast amount of data, the focus of a photo can be fully adjusted to match a photographer’s desires, using a computer, in the same way one might use Photoshop to adjusts hue, brightness or contrast on a regular photograph. This means never having to worry about whether auto-focus centered on the right part of a picture, and it makes capturing fast-motion much easier.

The Lytro sensor’s sensitivity to light also makes it possible to take photos in very low-light conditions without the need of a flash. It also makes it possible to take 3D-like photographs with only a single lens, and without the need for glasses to see the immersive effects.

Of course getting into the camera-making business isn’t a cheap endeavor. Not surprisingly (considering the truly astounding capabilities of the Lytro technology), the company has so far managed to raise $50 million from a variety of investors.

“Lytro’s breakthrough technology will make conventional digital cameras obsolete,” says Lytro investor and well-known venture capitalist Marc Andreessen of Andreessen Horowitz, which has invested in Lytro. “It has to be seen to be believed.”

According to Lytro founder and chief executive, the first Lytro camera “will be a competitively priced consumer product that fits in your pocket,” and will be available for purchase by the end of this year. To reserve a camera now, simply visit Lytro.com and enter your email address.

Wednesday, June 22, 2011

Ashley Judd comes with the funny in FLYPAPER

There’s a bank heist movie coming out starring Patrick Dempsey, Ashley Judd, Tim Blake Nelson, Mekhi Phifer, Jeffrey Tambor and Rob Huebel, directed by one of the guys behind The Lion King and written by the guys who did The Hangover. Sounds pretty good, right? Flypaper, directed by Rob Minkoff and written by Jon Lucas and Scott Moore tells the story of what happens when three separate crews mistakenly decide to rob a bank at the same time. It premiered at the Sundance Film Festival and will come on demand July 15 before opening in theaters August 19. After the jump, check the trailer and read why you didn’t hear much about the film after Sundance.

Tuesday, June 21, 2011

The End of Spider Man!

Marvel today announced that, for the second time this year, one of their major characters is going to be killed. Spoilers ahead!

Yes, in the grand tradition of comicbook spoilers, Marvel has decided to let the cat out of the bag about the final moments of Peter Parker’s life. The point, just as it always is, is to bring increased sales for at least that issue, expecting non-regulars to the line will all want to have copies of the final issue. It worked well enough earlier this year with the death of The Human Torch, though sales went right back down again after the firstfew issues of FF.

The spoilers deepen as Marvel reveals everything but who the killer will be: Parker is going to die specifically protecting his aunt, fulfilling the promise he made to his uncle so many years ago, and simultaneously becoming a posthumous role-model for another character who will decide to take up the Spider-Man mantle.

So, the Spider-Man line will not be at an end, but Peter Parker will be gone from it. This new young web-slinger will likely join the Future Foundation, and don the new white Spider-Man costume which was announced earlier this year.

"This is the last hurrah. This is it," Writer Brian Michael Bendis told the New York Post, "There's a real point to this and the point doesn't work if we don't stick to our guns."

"I won't lie to you,” he told the Associated Press, "It's embarrassing to say this out loud. Tears were rolling down my face, I was very emotional in writing it. This is a character that I have stayed with the entire time, that I have been almost solely responsible for. It represents such a great deal of my life."

Of course, we all know life is cheap in comicbooks, so Parker may be back someday.

Spider-Man’s death will occur in Ultimate Spider-Man #160, which will be released this Wednesday.

Wednesday, June 15, 2011

Secret Teaser Shot for "Avengers"?


We don't like to ruin any big surprises, but this news was too good to pass up. I love surprise/secret teaser trailers that we don't know are coming (well not anymore), as they're so much more exciting to experience when they are unveiled. Ain't It Cool News is reporting that Marvel has already shot a teaser trailer for The Avengers that will most likely (but so far unconfirmed) show in front of Thor and/or Captain America this summer. This is big news because Joss Whedon hasn't actually started rolling cameras on The Avengers yet, even though its due out in 2012. Additionally, if you want to hear a few more spoilers about this, read on.

Spoilers from this point on - you've been warned! Harry Knowles of AICN says this teaser includes Loki, the villain from Thor played by British actor Tom Hiddleston and evil brother of that superhero, who has long been rumored to be one of the primary villains in Marvel's The Avengers movie, which Joss Whedon is directing. Additionally, Latino Review says they've learned that Loki is indeed going to be the main villain in Avengers, but that's not all... Apparently he'll be using the cosmic cube (last seen being held by Red Skull) to bring in the aliens known as The Skrulls, who will also be one of Avengers villains, although to what extent we're not sure, or if it might be another big setup for a cinematic universe following The Avengers of 2012.

We've written about this exact situation before - specifically that Loki and The Skrulls would be the villains in The Avengers movie, not the Hulk (which was the original rumor tied to various comic storylines as well). We will not reveal any details about the teaser, not that any are known yet, but that's something that despite now knowing it's coming, I would rather wait and be surprised watching it in theaters before Thor than read about it online. I have a feeling it will be short like a real teaser, but will show Loki kicking ass or coming to Earth. And if you're in a theater packed full of geeks, there is going to be some very loud cheering after this.

HBO's Next Huge Series - American Gods


HBO today announced that American Gods, their new series based on the novel of the same name by Neil Gaiman will have a total of 60-70 episodes divided into six seasons.

Since it’s an HBO series, rather than a typical network-style 40 minute episode format, each episode will be an hour. That’s a lot of hours to fill, and immediately after the announcement, questions stareted to roll in from fans about how the current novel would be expanded to fill 60 hours of air-time.

The answer came late last night on Gaiman’s own Twitter feed. “And for those asking, No, 6 years of AMERICAN GODS on TV doesn't mean just the 1st book. It means I need to write the 2nd now, for a start.”

Gaiman has been planning a series of novels in the American Gods story for some time, but has so far only managed to produce a novelette sequel, and a spin-off novel.

Both of which were excellent - Anansi Boys is one of my favorite novels, but neither of which adds many hours to the American Gods storyline.

Likely, he is now planning to write a pair of trilogies, to match with the six seasons.

If you’re not familiar, the stories take place in a world where belief makes things real, and all gods are psychic products of men.

The more belief men have, the stronger the gods are, meaning that gods and their powers and strengths are constantly shifting throughout history. In the timeline of the first novel, Americans have created new gods from the things they ‘worship’ in the modern world, like The Internet. A cabal of old gods, led by the All-Father Odin set out to confront these new Gods, dragging a recently released convict - our POV character - along with them.

The series is planned to be big-budgeted and effects-heavy, not really a surprise for an HBO series featuring gods.

"There are some crazy things in there.” said Gary Goetzman, a partner in the production company, Playtone Productions, "We’ll probably be doing more effects in [American Gods] than [has ever] been done on a television series," said Goetzman.

If that’s true, then I think we figured out who George Lucas needs to talk to about producing his live-action Star Wars series. HBO just keeps rolling out good ideas, and near-film production values. It’s at the point where everytime I hear a good idea for a television show, I hope HBO takes it up.

Wednesday, June 8, 2011

Uncharted 3 Thins the Line Between Game and Movie


When the PS3 was first announced in 2005, Sony promised to make games look and feel more like movies.

In 2011, that vision is becoming closer to reality. When the first Uncharted game came out early in the PS3's life cycle, it was heralded as part game, part cinematic experience.

The problem, though, was that they were two separate parts. While the story cutscenes were beautiful and the script was written like something you'd find on a Hollywood director's desk, it almost seemed like an interruption when gameplay resumed.

This has been a fundamental issue for these high-profile adventure games. It seems impossible to make that transition from pre-rendered animation to real-time gameplay.

But Sony improved on that aspect in Uncharted 2, and it looks like the progress will continue in the hotly anticipated sequel.

Sony demonstrated some Uncharted 3 gameplay at its pre-E3 press conference earlier this week, but we saw a deeper sneak peek into the game this afternoon.

Specifically, we were shown a level in which Drake has to run around a debris-strewn airfield, make his way to a taxiing plane, and jump on before it lifts off.

In the demo, everything Drake did reacted just like you'd expect in real life - e.g., fall down on a pile of barrels, and they'll topple over, no matter how ancillary or in the background they may be.

The more interesting thing, though, was that when a cutscene began playing, it actually took a couple seconds to realize the live gameplay was over. It was able to bleed almost seamlessly into the game.

That's the kind of game we've been expecting on the PS3, and even though this is just one level - admittedly, a level where there wasn't a lot of user interaction - it shows there is still progress being made.

Uncharted 3 is arguably the most hotly anticipated PS3 exclusive on the show floor at E3 this year, and will be coming to stores in November.



Friday, June 3, 2011

Syfy's First Look at ALPHAS

Marketed as a mix between Leverage and the comic Powers. I say it looks like Heroes with a purpose and better budget.

X-Men First Class : Beast

X-Men First Class : Havok

X-Men First Class : Mystique

X-Men First Class : Banshee

Thursday, June 2, 2011

Scourge of the High Seas, 21st Century Style - World Trade

by Drew Feldman

Posted: June 2, 2011


Modern piracy is a growth industry. The International Maritime Bureau (IMB) reported in April that during the first three months of 2011, pirates attacked 142 vessels in international waters, seizing 18 vessels, three of them tankers with more than 100,000 deadweight tons—an all-time high number of pirate attacks for any three-month period. During all of 2010, pirates attacked 445 vessels, capturing 53 of them. Some highly publicized incidents of piracy in recent years have spurred governments and nongovernmental maritime organizations to coordinate their efforts to suppress piracy, with some limited successes in some places.

Yet, the problem grows. Somalia has become infamous in recent decades as a nation-sized haven for pirates, and for good reason. Some 70 percent of total pirate attacks worldwide during the first quarter of 2011 occurred off the coast of Somalia, either in the Gulf of Aden to the north of the country or in the Indian Ocean to the southeast, sometimes hundreds of kilometers off shore. But, Somalia isn’t the only hotbed of modern piracy. Elsewhere during the same quarter, nine attacks occurred off Malaysia and five happened near the coast of Nigeria. A scattering of other places have seen pirate attacks on commercial vessels in recent years as well, such as in the vast Indonesian archipelago.

Chatham House, a London-based think tank, estimates that piracy costs the global economy between $7 billion and $12 billion annually, and further that Somali pirates are responsible for perhaps as much as 95 percent of that total. Those are wide-ranging estimates, which only illustrates how murky things can get when calculating the costs of a widespread criminal activity. According to a separate study released in April by the economic consultancy Geopolicity, the global cost of piracy could be as much as $15 billion by 2015.

Whatever the actual totals, it’s clear that the costs of piracy are high, and borne largely but not exclusively by shippers, who find themselves paying for security equipment and training, insurance premiums to mitigate the risk, and, in some cases, ransoms and other costs associated with a ship being held hostage. But the largest expenditure for the shipping industry—an estimated $2.4 to $3 billion, according to a report by One Earth Future, a private foundation—arises from re-routing ships to avoid high-risk areas.

Complicating matters is a disturbing recent trend of greater violence by pirates. The IMB states that during the first quarter of 2011, pirates murdered seven crew members and injured 34. Five years ago, during the first quarter of 2006, just two injuries and no murders were reported.



The business of piracy

Whatever romantic notions we have about the pirates of previous centuries, there shouldn’t be any doubt that modern piracy is a stone-cold business. It’s an unlawful business and one detrimental to shipping interests and international commerce, but nevertheless an operation whose guiding purpose is commercial in nature. That makes Somali and other pirates largely the concern of workaday ships of commerce that ply danger zones, though non-commercial vessels are at risk as well.

Wherever piracy occurs, it’s the result of a confluence of factors (and it’s an age-old problem; early in his life, no less a personage than Julius Caesar was captured by pirates). The recipe for piracy is this: a seafaring but poor people who live near a prosperous trade route, combined with little or no government control of their territory. Somalia is a text book example. The country has not had a functioning government for about 20 years, and is essentially a lawless patchwork of quarreling warlords, tribal entities and terrorist groups lording over a population that gets by on about $500 a year per person.

Moreover, the Somalis have a long history of seafaring, especially as fishermen. As such, they have jealously guarded their fishing grounds for years, using their vessels to drive away foreign trawlers. As the government of Somalia melted into anarchy, this “coast guard” discovered new opportunities as pirates, and as they grew experienced, they started venturing further out and seizing larger vessels such as bulk cargo containers and oil tankers. Somali pirates are now known to strike in an area of roughly 2.5 million square nautical miles off Somalia’s coastline, which is an increase of about one million nautical miles from only two years ago, according to Geopolicity.

The usual modus operandi for pirates, Somalis especially but others as well, is to attack early in the morning, using small, speedy skiffs to approach a target vessel. Often the skiffs themselves are launched from “motherships” that can range hundreds, or even thousands, of kilometers off shore. Once next to their prey, the pirates use grappling hooks to attach ladders to the side of the vessel, and then climb aboard, typically armed with AK-47s. Speed is of the essence during a pirate attack. Their goal is to waylay the crew and capture the ship’s bridge as quickly as possible.

Once they capture a ship, the pirates are interested in one thing: ransom. The cargo itself is largely irrelevant. The only important thing about the cargo is that there’s an owner somewhere that wants it, and the ship, back and the crew released. The pirates will be happy to do that for a large fee.

Somali pirates take their captured vessels to the coast of Somalia and keep them there, but sometimes disperse their hostages. Negotiations then begin, typically through an intermediary organization that specializes in dealing with pirates (by long distance, of course), and often the process takes several months. Eventually, a ransom that averages in the range of $ 4 million to $5 million is dropped from a small airplane for the pirates to pick up and divide among themselves, after which the ship and hostages are released. For an ordinary Somali, the economic incentive to be a pirate is clear. A successful raid might net him thousands of dollars, a considerable fortune in Somalia. The pirate higher-ups and their allies, including land-based warlords who protect the pirates’ lair, probably stand to make a good deal more.


Protection against pirates

Statistically speaking, the risk of being taken by pirates while transiting near Somalia is actually fairly small and it’s even lower elsewhere in the world. About 21,000 vessels transit the Gulf of Aden each year, and another 10,000 ply the Indian Ocean within striking distance of Somalia. Since only 49 ships were seized by Somali pirates in 2010, only a fraction of the vessels sailing in that part of the world end up in their clutches; a minuscule number, unless it happens to be your ship. In fact, among all of the risks involved in shipping cargo from point A to point B, piracy may represent the most significant risk for ships operating in the parts of the world where pirates operate.

How can ship owners and charterers take steps to protect their vessels, crew and cargos from modern day seafaring predators? Even before sending a ship into such risky waters, adequate insurance is necessary. Some hull and war risk insurance policies cover aspects of piracy, but there may be gaps in protection. More recently an insurance product known as a kidnap and ransom (K&R) policy has been tailored to more specifically address the problem of piracy. Depending on the policy, K&R insurance might not only pay the ransom itself, but also the costs of negotiation and delivering it, along with such expenses as loss of hire (business revenue), travel costs, medical expenses, and should the worst happen, death benefits for crewmen.

Well worth consulting is Best Management Practices to Deter Piracy off the Coast of Somalia and in the Arabian Sea, (BMP3) which details how to protect vessels against pirates. The publication is specific to the Somali pirate threat, and not all of the measures it suggests apply to every type of ship, but it’s nevertheless a good guide to help mitigate the risk of piracy.

BMP3 strongly recommends that ships navigate within the Internationally Recommended Transit Corridor (IRTC) through the Gulf of Aden, where naval forces are concentrated. Also, if possible, ships should participate in a “group transit” plan, which groups vessels together by speed for maximum protection as they transit through the IRTC. If it isn’t possible to transit through the IRTC—or even if it is, considering that the transit corridor isn’t an absolute guarantee against piracy—it behooves ships to take their own measures to protect themselves against pirates. Simply moving at a speed over 18 knots can often prevent pirates from boarding a ship, for example.

Since pirates typically use grappling hooks and ladders to board vessels underway, physical barriers can be used to thwart them, such as well-placed razor wire. Also, the use of automated water (or foam) guns has been found to be useful for knocking pirates who are trying to board a vessel into the drink. When physical barriers fail, some ships have employed a safe haven—“citadel” is the term for a long-term safe haven—to which the crew can retreat to hold off the pirates until help arrives. Ideally, such a space would have self-contained air-conditioning, emergency rations, water supply, and other useful features. wt


Drew Feldman is a vice president and worldwide ocean marine manager for the Chubb Group of Insurance Companies. He can be reached at dfeldman@chubb.com.